Tattoorism 101: Alli's Ink

Here's another installment of Tattoorism. Alli sent me these photos at the beginning of October, so I appreciate her patience while I've taken the time to post these. I'll let Alli speak for herself:

Hey there,

I'm an avid Tattoosday reader. I, like many others, enjoy the stories that connect us all through one mutual love: tattoos.

I have three tattoos, my first inking done at 16 in Durham, North Carolina. I don't exactly remember the name of the shop, it was really underground and kind of shady. It's the old flag saying "don't tread on me," inspired by a respect for my veteran father and love for American war history. It's on my left foot:


My second tattoo was done at Glenn's Tattoo Service Inc. in Carrboro, North Carolina by the artist Paulie Andrew. A few weeks after my 18th birthday, I went in with a friend and saw this design on the wall. I immediately asked about it, and he told me everyone always compliments it, but no one had gotten it tattooed yet. I sat on it, went back the next day, and got it tattooed on my upper back in dedication of the bond shared between my father, my sister Carly, and myself:


Through our lives, the changes in characters have been so many, but we always stuck together. Elephants are a sign of good luck, too, which is always a plus. :)


[That's the tattoo at the top of the post, as well.]

My last tattoo was inked in Athens, Ohio. Can't remember the name of the parlor right now, but it was my second day of college. Inspired by the possibility of my dreams of becoming a writer coming true, the start of real life, I got one of my favorite quotes tattooed on my right underarm:


"So it goes" is from the works [first introduced in Slaughterhouse-Five] of Kurt Vonnegut, one of my favorite authors of all time. Reading Vonnegut is one of the reasons I came to this school to pursue writing as a career, and it's also how I like to handle what life throws at me. This tattoo was also prompted by the New Buffalo song "Cheer Me Up Thank You," which I think is absolutely amazing. [Here's the video:]




Sorry about the poor focus of the pictures. If it makes the cut for the site, feel free to crop. My camera is under repair right now, so it was just randoms I found!

Thanks so much.

Alli

Thanks, Alli, for sharing your ink here with us at Tattoosday! And thank you for waiting so patiently for me to process your post!

Tom's Spirit Introduces Me to Eric

I wrote the majority of this post on the way home from my friend Tom Wacker's memorial service on November 12, 2008. I am currently recovering from some outpatient surgery and will use my recovery time to attempt to catch up on things here at Tattoosday.

So I am on my way home from Tom's memorial service. A friend gave me a ride from the church in Ft. Lee, New Jersey to the P.A.T.H. station in Hoboken.

I catch the P.A.T.H. to the World Trade Center station in lower Manhattan. I walk a little disorientedly and find the 2 train at Park Place. I switch at Pacific/Atlantic for an N express train. Standing there in the last car is a bike messenger with full-on ink - his neck is covered and he's got his hands and wrists done. And his long-sleeved sweatshirt is undoubtedly covering a goldmine of tattoos.

But I don't have any of my fliers with me. I left my bag at work. I find some tattoosday cards I made up from www.vistaprint.com and strike myself a deal. He's got earbuds in, and I don't want to strike up a conversation since I am getting off in 2 stops, so I decide, if he gets off at 59th
Street, I'll stop him on the platform. And Tom is backing me up from on high. The messenger exits the train when I do.

So I introduce myself and hand him my card. I apologize for not having a flier, but he stops me: "I e-mailed some pictures to you already."

I've never met this guy before in my life. But I look at him, and recognize his face. His name is Eric and he sent me shots of his phenomenal work back in September. The nature of his work, and the sheer size of it, meant that his face was visible in the photos he sent. Wow. And I've been meaning to post his photos, but they're so rife with incredible work, I couldn't get a handle on it. And I've been busy. And on and on and on.

But now he is "legitimized" as an actual Tattoosday encounter. Of course, I am convinced Tom is behind this coincidence. Whether it's true or not is irrelevant. It makes me feel better.

So Eric peels off a layer or two and gives me an extra piece, on his inner right bicep:


It is a guesture known as "the shocker". I will leave it at that. People who know what it is will understand. People who don't and are curious will research it and be appropriately shocked. And for everyone else, including the aforementioned parties, here's Eric's work:


Tom saw these photos when I first received them, and was similarly impressed with the quality and scope of the tattoos.

I think it's apparent why I didn't post them immediately. Where to begin? I like discussing elements in detail, and it seems I could write a novel about Eric's work.

The Shocker tattoo was inked by Jim Class of White Tiger Tattoo in Rochester, New York. In a follow-up email, Eric had advised me that Class "did my turtle neck sleeve, right arm, sides, armpits, entire front, and my left leg. My back, head, and right leg sleeve were done by Mike Dorsey at Permanent Productions in Cincinnati, OH. I've gotten a few souvenir tattoos and conventions along the east coast."

So we've started out small. Stay tuned for future visits from Eric's canvas. I offer him thanks for the initial photos and for stopping to chat with me at 59th Street. And thanks again to Tom for being so instrumental in the success of Tattoosday.

Nina's Ink, Part Deux

I'm following up from this post here.

Nina had offered up so many tattoos I had to split up the post, and then, well, she sort of got lost in the inkshuffle. Best to reacquaint yourself with her through the post above and then resume here.

Nina told me she was the product of Quaker and Jewish parents, and was raised in the Quaker tradition. The core values instilled in her upbringing were virtue and the importance of leading a simple life, known as the Testimony of Simplicity. She recalls the silence that is so prevalent in Quaker meetings. These values translated to the tattoo on her right forearm:


She says this is a reminder, based on her upbringing, that she can "find simplicity through silence".

The saying is punctuated by the recognizable symbol of the fleur de lis, which has been recognized as a royal French symbol for purity.

The fleur de lis is also a significant element in this tattoo, which is on the back of Nina's neck:


A closer look:


This piece has roots in her family. Along with the decorative aspects of the design, the letters N and T represent her name and the name of her brother Tom. The name Rita belongs to her mother. The crown represents her mother being the queen of her family.

The final piece Nina showed me was only partially visible the day I met her, only because modesty and a public setting prevented her from letting me photograph the whole tattoo:


The general design and the phrase "this will linger" is from a skateboard deck. Nina is avid longboarder and the design appealed to her. Not to mention that "this will linger" can be interpreted in so many ways, and can even speak to the idea of tattoos themselves. This could also be a reference to the final line in the song "Beside You Now" by the band, The Fold:

I've no regrets of yesterday, though these tears are falling
I will look to you, I will still remember (God help me now)
This will linger on, your memory deeper than the oceans

Note the fleur de lis just below the navel.

Added to this design, on either side, are two calla lilies, a la Georgia O'Keefe. They, to her, represent "the realm of possibility". Nina told me that she and the tattooer discussed adding white ink to the flowers to make them more "realistic". They decided against that, however, as the tattoo may have suffered due to what likely would have been an aesthetic issue with the ink and Nina's much darker skin tone. I would tend to agree that they made the right choice.

Nina credits most of her work to Dan at Amazing Grace Tattoo in Geneva, New York. She did however indicate that the lower abdominal piece was done by Noah at Extreme Graphix in Geneva, NY.

I would like to thank Nina for spending so much time talking to me about her ink. She showed me her whole catalog of tattoos, and I feel bad for neglecting "part two" of her post for these past couple of months.

Considering that she had all this work done in her eighteenth year, I can only wonder how much more has been added to her canvas since.

Thanks, Nina, for sharing your body art here with us on Tattoosday!