Two for Tattoosday: Some Traditional Work Imported from California

Last week I spotted a young tattooed woman chatting with a friend outside of the Chelsea Whole Foods store. I hesitated because I was running late, but doubled back across the street and introduced myself. As it turned out, Krista and her two friends, Ryan and Jake, had recently moved from San Francisco to New York. All of them had tattoos.

Her friend Jake shared his first, but I am deferring that one to a later, more appropriate date (hint: check back on Father's Day).

After seeing Jake's tattoo, I turned to Krista and Ryan. "Who's next?" I asked hopefully.
Fortunately, I didn't get the "Wasn't the one tattoo enough?" attitude.

Krista deferred to Ryan and he offered, with his friend's assistance, this amazing piece:


I was surprised, to be honest, to see such a huge, traditional sailor tattoo on a tall young man with a finely-waxed handlebar mustache, so I had to ask what was behind this amazing piece.

He had a simple answer, "I'm American." And the logic computes on different levels. The eagle is our national bird, and the art of tattoo, which was discovered by British sailors on the indigenous populations of the South Pacific, didn't really explode in popularity until American servicemen started bringing their body art home from overseas.

There is something purely American in the naval tattoos that have embedded themselves in our cultural psyches and, although other cultures may argue the uniqueness of such art to U.S. citizens, that is the perception that has been re-enforced by our society.

This amazing tattoo was completed in four four-hour sessions by Zach Johnson at Idle Hands Tattoo Studio in San Francisco. Mr. Johnson is no longer listed on staff there but, according to his MySpace page, he occasionally pops back in from time to time.

Chest tattoos are notoriously painful and Ryan concurred: the pain, he said, especially over the diaphragm, was the worst he's ever felt ("worse than that from accidents" he has been in, he insisted). And he has seven tattoos, to boot, so he is no novice.

I turned to Krista, inquiring, and smiled when it was clear she was contributing as well. I believe it was the first time I got three people together to participate, with three very different tattoos.

She offered up this unique tattoo, also by Zack Johnson:



Krista explained that Zack had drawn up a whole series of flapper-esque, gypsy-style profiles, putting his personal spin on each one. This one has a feline appearance and, as a lover of cats, she took a shine to the design. The tattoo, as a result, has a traditional feel, but with a modified spin that makes it more unique. I particularly like the collar with the bell attached to it:


Thanks to Krista and Ryan for sharing their tattoos with us here on Tattoosday!

Matt Wears His Heart (of Bacon) on His Sleeve

I first met Matt a year or so ago when he and his wife Allison opened the gourmet grocery Robicelli's in our neighborhood of Bay Ridge, Brooklyn (there's more on Robicelli's here).

It was only recently, however, when I popped in to pick up some of their incredible gourmet cupcakes (the "Irish Car Bomb" is my favorite), when I spotted this amazing tattoo on the inside of his left forearm:


So it makes sense that a chef and a businessman running a gourmet grocery might have a food-themed tattoo, but what's up with this one?

Matt explained that, well, he's a chef, and he loves bacon, and several years ago when he was prepping for an event he was catering, he and a colleague were wrapping rabbit hearts with bacon. He remarked that he ought to get a bacon heart tattoo and his friend challenged him, laughing "You'll never do it!" That was just the incentive Matt needed, and he went with the idea
to Nacho at Studio Enigma in Brooklyn.

It was done all in free-hand and Matt hopes that some day it will be the cornerstone of a food-themed sleeve.

Thanks again to Matt for sharing his bacon heart with us here on Tattoosday! If you're ever in Bay Ridge and have a hankering for fine foods (especially their amazing weekend cupcakes), stop by Robicelli's ( 8511 3rd Avenue) and perhaps you'll catch a glimpse of this great tattoo!

Mike's Tribute to His Thai Heritage

There are generally two kinds of Tattoosday subjects (and by subjects I mean people):

Those that let me take a picture or two and I never hear from them again, and those that send me nice messages and a correspondence more or less develops.

Last weekend I met a guy named Mike at the laundromat (which is turning out to be quite a lucky locale for inkspotting) and he falls in the latter category.

Not only was Mike friendly and interested in the site when I met him, but he has followed up our initial conversation with e-mails that have helped me create a much more thorough and well-rounded post than many readers may be used to.

Mike's tattoo is a tribute to his heritage. His father is from Thailand, so he considers himself "50% Thai". Check this out:


This piece does wrap around the left bicep, and on either side of the elephantine temple, there are "singha" lions:

























The idea for this tattoo started with a concept and evolved into the finished work in flesh above.

Mike started with the basic images, found online in the form of the elephant and lion masks, and the photo of a Thai temple:



He notes that he wanted to use the Tribal elephant mask "because the Elephant is a national symbol of Thailand, they [were] used ... in wars and ... represent strength. I chose the Tribal 'wood' look mainly because it looks great and I thought it represented the 'old/history' of Thailand." He added that he finds Thai temples "amazingly beautiful" and that the two Singha lions on either side of the temple in the design "represent protection, and they usually are at the entrance ways of many Thai buildings".

He then tinkered with these images in Photoshop and came up with this rudimentary design:

He took this artwork to Regino Gonzalez at Invisible NYC. Mike explains, "I showed him my idea and he actually kinda chuckled a bit. I told him I realized [that] this was a real shitty representation of what I want and that I hoped that he could do ANYTHING with it."

Mike continues, "...And then literally three days later, he called me into the shop and when I walked in, he had this HUGE AMAZING piece of art...I just turned to him and said, 'Let's do it' [and] I ... sat down right then and there for four hours and had the outline done ... I ... went back about three weeks later and had the black color and shading done, and then about three more weeks later I had the final color done."

What Mike explains is typical of great tattoo work. So many novices to tattooing are surprised that a nice piece takes a while, unlike it does on the reality tattoo shows, when an eight-hour piece often is edited down to a few minutes of air time. It's also the recommended way to get a great tattoo: bring in the framework of an idea and let the artist go to town.

And, if you have a good artist (which you should have, if you've done you're homework), you should put your absolute faith and trust in them. Case in point, Mike recalls "I asked Regino how he was going to color it and I was pretty nervous ... he looked at me and pointed to his head and said 'Trust me, I have a plan'. And that was it ... I walked away with what I think is an amazing piece of work ... I have since recommended Regino to anyone who asks my opinion, and I will continue to [do so] ....".

Incidentally, work from Regino has appeared previously on this site here.

Thanks to Mike for sharing his incredible work with us here on Tattoosday!