The Tattooed Poets Project: Sue Swartz

Today's tattooed poet, Sue Swartz, hails from Bloomington, Indiana, and offers up her forearm for all the world to see:

Photo by John Narmontas

Sue explains:

This is a 2-part tattoo story. On my 54^th birthday, I had the Hebrew word for truth (emet) imprinted on my right (i.e., writing) forearm in traditional black Torah script. I wanted a useful reminder for my art; also the word contains one letter that is a stand-in for life/God and two others that spell out the word “dead”. Okay, it was a little heavy. Two years later, this past November, when I couldn’t take looking at the damn truth anymore, Dina Verplank of Voluta Tattoo in Indianapolis beautified the baldness of the lone word with a branch from the Tree of Life and a spiral/root system.

Photo by John Narmontas

 And Sue offers up this poem:

MID-LIFE

Damn. Another 3 a.m. flying dream.

This time I’m on a cement slab hurtling toward over-grown lawns

covered with large plastic pigs and spiked coat hangers.

This is not what normal people dream.

Awake, I tilt (normal, not normal) on a giant seesaw of guilt

by association and realize:

I might not really know what normal is—

My dead – crazy bastards every one – left far too many clues,

though not one legible note of navigational instruction.

Minds overtaken by spirals and whirligigs, Greek letters

and the rising price of toilet paper, they wore the warp & weave

of their affliction stoically.

Seamlessly, one might say, and with understated finesse.

Running off to Florida on a Tuesday-morning whim:

In the realm of normal.

Snapped-on pills for breakfast:

Mildly normal.

Washing, washing again, again, again. Refusing to shake

the hand of strangers:

Undeniably normal (well, yeah – you never know

who’s got what).

With garments torn & heads made bare, they bob in and out

of traffic, sit close to me in restaurants, carefully chewing

with their electrode mouths.

My dead have secrets. That much is abundantly clear.

I listen for whispers of their generous madness, find

they’ve come while I’m asleep. Bad timing is all I’ve got.

That, and fingerprints left on the towels.

No, I don’t shush them away: then I’d lose the true nature

of everything. If I don’t know what normal is, why not

claim these people as kin?

How else to name my own impurities and small derangements?

~ ~ ~

Sue Swartz is a poet, hired-gun-political writer, amateur ballroom dancer, favored grandparent, social justice activist, occasional yogini, and creator of alternative Jewish ritual. Her work has been published in Cutthroat Magazine, Lilith, 5 a.m., SmartishPace, and elsewhere. She wishes she had a book you could buy. You can find her blog Awkward Offerings at http://swartzsue.wordpress.com/. She makes her home in Bloomington, Indiana and believes that Leviticus (You are not to make gashes in your flesh for the dead nor incise marks on yourself.) goes a bit overboard.

Thanks to Sue for sharing her truthful tattoo with us here on Tattoosday! 

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

 

The Tattooed Poets Project: Noemi Soto

Today's tattooed poet is Noemi Soto, who sent us this lovely, colorful photo of her tattoo:

Photo Courtesy of Noemi Soto

Noemi explains:

"I designed the tattoo for myself during a pretty rough period after a major breakup about 6 years ago. I wanted it to represent the heartbreak that I was feeling at the time but still hold hope for the future. The artist who tattooed me was Danielle Distefano while she was working out of Dare DevilTattoo on Ludlow Street in Manhattan."

Danielle is currently tattooing out of Only You Tattoo in Atlanta, Georgia.

Noemi offers up this poem:

The Beginning is the End is the Beginning

Back when I was younger
My mother tried to protect my heart
Always telling me to never bare my insides for a man
to never let him in fully so that he may devour what I hold dear
to not let a man do to me what had been done to her

Her backbone used to show signs of strength but now lacks the stamina to withstand the battle
She was once a woman so strong in her will
but with every man in her life taking pieces of her for themselves
she has now become a mere shell of herself
The stink of her childhood still lingering in her hair

I was witness to the tug of war my father and her used to play
saw the push and pull of their hearts
there was nothing unconditional about their love
not even when it came to me
there is nothing sentimental and heartfelt in the throwing of pots, pans and fists
“I love you” cannot be said through the gnashing of one’s teeth

So when it came time for my will to be tested
I acted on what I saw and not what I was told
What I was shown was that to be a woman meant having to bend your spine so far back to please your man that you broke yourself in two
To stretch those parts of yourself out so that you may give him the smoothest of surfaces in which he may stomp your hopes and dreams into
To ignore his faults and accept them as your own
How dare you even think otherwise?

I was taught that… to be a woman meant having to pick up the pieces that were left behind from his war path
making sure only your feet bled in the process to save his
Being a woman always meant never asking any questions
to let him roam and if he comes back … well… what more do you want?

I followed all of these lessons very carefully
made sure I folded the laundry just right
had dinner ready when he came home
and always made sure to give him his space
only to find myself face down on the floor, arms pinned behind me, with all of his weight pressing his right knee into my back
I waited until he left the room to get up

I stayed in silence
still willing to be the woman behind the man
Still willing to be the glass which he slammed his fist against
shattering any sense of self worth I had just for him
I began to wonder if this really was what it meant to be a woman or just the kind of woman who was so lost in herself that she was willing to let a man tell her what she should be
and if it did …. Then I had to learn to become my own woman
and I couldn’t do that by being underneath his thumb

So I bent back each one of his fingers till they snapped at the joints to show him how serious I was
It was the only way to break free
and while he screamed in pain and cursed me for having been born

I cleared a way for myself through the broken home which I was sure would last forever
letting him know that he no longer had a hold on me

~~~

Noemi Soto is a Brooklyn, New York native who was born and raised in Coney Island and is a recent transplant to Queens. Her poetry has been featured in a variety of publications such as The Acentos Review, The Literary Burlesque, LitUp Magazine & South Jersey Underground. She is a Pushcart Prize nominee and is currently working on her first book. You can read more of her work  at her website here.

Thanks to Noemi for her contribution to the Tattooed Poets Project!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Stephen Roger Powers

Today's tattooed poet is Stephen Roger Powers, who is sharing this tattoo of an iconic figure from the music industry:

Photo by James Morton

Stephen explains:

I've been a Dolly Parton fan since my family took a road trip to Tennessee in 1987.  We stopped at Dollywood, and I fell in love.  When I was in college I wanted a Dolly tattoo, but I never went through with getting one.  I kept the thought of it in the back of my mind for years, and when I started writing poems about Dolly and my frequent trips to Dollywood to see her perform benefit concerts for the Dollywood Foundation, the idea slowly crept forward again.  Then my book of Dolly poems came out in 2009, and I knew it would soon be time.  One day last year my friend Liz, who has 14 tattoos herself, told me to stop thinking about it, stop talking about it, and just do it.  Sounded reasonable to me.  So Liz drove me to Liberty Tattoo in Atlanta and introduced me to Michael "Shack" Shackelford, the artist who'd done most of hers.  Shack drew up a stylized, cartoonized version of Dolly from the cover of her 1977 album Here You Come Again, taking some creative license by adding pokey nipples, which was fine with me.

Liz kept saying she wasn't going to let me back out of it now that she'd driven me there and gotten pulled over for an illegal u-turn on the way, so Shack sat me down, we got started, and today I have Dolly Parton inked on my forearm.  While the tattoo is based on a full body shot of Dolly and it runs down my entire right forearm from elbow to wrist, the photo here is a close-up of just her face and torso, which I think makes Shack's details easier to see.

Accompanying this Dolly tattoo is Stephen's poem, "Dolly and the Frog Strangler," which appeared originally in Shenadoah and can be found in his book The Follower's Tale (available here):

Dolly and the Frog Strangler

I was writing a song with Dolly when we ran out of gas

near exit 201 going south through a sudden downpour in Indiana.

The first verse was something about how hay bales grow

darker in the rain and the sides of barns turn from red to brown.

We were also hauling a Dolly Parton pinball machine by Bally.

The backglass was in the backseat. The playfield, with rubber

flippers intact, cartoon Dolly barefoot in denim shorts, was too big to go

in the trunk all the way.  It hung over the bumper by bungee cords.  Every bump,

my worn-out shocks groaned and banged like rickety roller coasters.

We waited for a trucker to bring us a gallon.  Hail popped on the roof

like too many warped records playing at the same time.  We were bored,

looking for ways to amuse ourselves.  Dolly tapped her dragon lady nails

on the dashboard.  I used my sleeve to wipe away windshield fog.

After we hummed a middle C we wrote the second verse,

something about long hair between your lips and mountain berry shampoo

scent in your nose when you kiss someone in the wind.

We rolled down the windows to let the storm heat evaporate

some of the air conditioning.  Dolly’s wig got tangled and wet.

The strangest thing was happening: The pinball machine

kept flashing hot pink and lavender.

Maybe lightning hit the cord trailing behind.  Or else something lit it

up from our mind’s eye that saw corn tassels rolling in this gully washer

over the fields as applauding hands of cheering crowds.

Our chorus was something about how you look out

your rearview mirror and it’s still visible after a mile

passes, maybe two if the countryside is flat, but then it fades

away and is gone, and you can’t remember anymore what mile

marker it was by when you passed it.

 ~~~

Stephen Roger Powers is the author of TheFollower's Tale, available from Salmon Poetry.  His work has appeared in Shenandoah, 32 Poems, Dislocate, and Margie.  He divides his time between Wisconsin, Georgia, and Dollywood.

A sincere thanks to Stephen for sharing his poem, tattoo and his love of Dolly Parton here with us on Tattoosday!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.